Kueh dadar is one of my favorite kueh, which we enjoyed tremendously as children as I’d mentioned in this post two years back. Known also as kuih ketayap, kuih gulung or kuih lenggang to some Malay communities, it is also a kueh which I revisit very often in my kitchen, sometimes eaten just on its own, or when I’m up for something more elaborated or wish for greater contrariety, a savory kuah santan would be quickly prepared using the leftover coconut milk from the batter to “chelop” the kueh dadar in. If the American kids grew up dunking Oreos in a glass of milk, kueh dadar chelop kuah santan must definitely be part of the wonderful childhood memories Peranakans have collectively.
Peranakan desserts and snacks are such a large and colourful collection of delectables that they warrant special attention on their own. Being a unique group with members from such different backgrounds and rich heritage, the sweet and savory treats which signify the Peranakan community are exemplary of this wonderful diversity. Look closely, and one would be able to identify easily the cultural elements from the origins of forebears where the Peranakan roots developed from. Just to name a few, we have Kueh Koo Merah and Popiah from the Chinese, Rempah Udang, Pulot Inti with Malay-Indonesian influences, Pang Susi and Kueh Blanda with Portuguese-Dutch origins and of course Roti Babi from the proximal colonial links, and these are only a teeny tip of the iceberg of the repertoire affectionately known as “Kueh Chuchi Mulot” to the babas and nyonyas.
Many of these kuehs apart from tasting really good, are symbolic with their cultural significance tightly woven into the customs and practices of the Peranakan tapestry of life in the yesteryears. Some are prepared specially for specific occasions, like kueh bakol for the Chinese New Year, and were enshrouded with much mysticism through a relay of “patangs” (taboos) which had to be observed to strict accordance for guaranteed success in their making. Some like kueh koo itam were made almost exclusively for ancestral worship and serving them during other joyous or celebratory events would only invite “koosmangat!” from the nyonyas with their overtly animated and dramatised “terpranjat” look, not forgetting a string of gossips that would soon follow and before long the extended family or even the whole community would know who “kentot“. Many of these kuehs, like kueh koo, kueh sarlat (gading galoh), kueh lapis beras (kueh genggang) are “colour coded”, so it mattered to many Peranakans “what” to serve “when”, to “whom” and in “which colour”. Like many of the earlier mentioned kuehs with specific “functions”, apom balek is no exception.
Bubur Cha Cha or “Bubor Cha Cheir” as it is known to some Peranakans, is a dessert soup which comes close to heart for my family. My mum loved it immensely and made it often enough for us to develop a liking for it as well since young. It is a chuchi mulot which she would exercise her creativity in the ingredients to be added depending on the amount of time she had at hand and of course what we loved to eat. Kept minimalistic, it would simply be just a sweet coconut milk broth base with diced kledek (sweet potato) and keladi (taro) cooked in it. More elaborated, an assortment of other “accessories” like bijik sagu kechik (small sago pearls), and legumes like kacang merah (red beans), kacang ijo (green beans) or kacang mata itam (black-eyed peas) can be cooked separated and added. Our favorite condiment must surely be sagu gunting, chewy morsels made from either sago flour or tapioca flour that look like gems sparkling in a pool of ingredients coated with a riot of psychedelic colours. Sometimes fruits will be added, mostly pisang (bananas), occasionally nangka (jackfruit) or even cempedak, and of course whenever it is in season, durian!
2015 has really been a trying year for us. My dad had undergone a major surgery just last weekend and is now recuperating in hospital. Thankfully, everything went on smoothly as for now, and he is recovering slowly, but surely. The sheer ordeal of going through the last couple of months of chemo and radiotherapy with him was really challenging to say the least. My family had just “bukak tua har” as well, coming out of the three year mourning period since the demise of my beloved mother 4 years back and we are trying to cope with our lives without her, revisiting the usual traditional practices, like “golek kueh ee” during tang chek at the end of last year, and semayang tee kong during the Chinese New Year period, albeit keeping things simpler and less elaborated. It is afterall the thought that counts… I
think hope. Tomorrow is 端午节 duanwu festival aka dragon boat festival or what is known as “bulan lima lima ari” to the Peranakans. I had planned to “ikat kueh chang” nearer the date for more than a month, something which I had not done for quite a few years already, since there is a patang against doing so when one is mourning. Alas my dad’s operation came right before the preparation period and that basically threw everything off course. But as my dad’s condition stabilised and is getting better, I pushed on ahead with my plans to ikat kueh chang nonetheless, grabbing ingredients and materials on a very last minute basis and slogged the night before preparing the ingredients and frying the filling, to be used the next day for making the dumplings. So here is a quick photo log of the making of my kueh chang babi this year. Having not done it for quite a few years now, my skills are really rusty. They look kinda out of shape yes, the wrapping job looks shoddy and the tying shitty yes, and the shade of bunga telang blue isn’t even close to what I had intended. But I’m glad I’d gone through and am now done with it. For me, to be able to celebrate these traditional festivals stretches far more than just being ritualistic or observing old customs plainly and passively. It rekindles memories of wonderful moments I’d enjoyed when I was young, with my loved ones who are no longer with me now, and more importantly, it likens to be able to embrace and celebrate life itself!
The weather has been somewhat erratic and unforgiving of late, tormentous heat wave for the last 2 weeks or so making the days go by in an utmost unbearable manner and then came the torrential rain yesterday afternoon. Despite the downpour, the cool-down it provided was only short-lived and temporal as it is back to another stuffy and hazy day. In need of something cold and refreshing, I made another favorite Peranakan chuchi mulot of mine for some instant relief. Looks like I’m on a dessert making spree! Sago Gula Melaka is incredulously easy to prepare and can be made way ahead. Just barely 30 min of work last night before going to bed and I’m ready to indulge in all that santan and gula melaka goodness this afternoon!
Bika Ambon is a very popular “kue” from Indonesia, the name seeming to suggest its origins from Kota Ambon in Maluku, or better known as the Maloccas Islands in the past. However, its popularity stems not from Ambon but in Medan, several thousand miles away in Northern Sumatra, where very good kek lapis can also be found incidentally. It was postulated by some that the confection was brought by Ambonese traders to Medan where it became viral, so much so that there is now a whole stretch along a street in the heart of the city, Jalan Mojopahit with no less than 30 stores dedicated to the sale of Bika Ambon amongst other popular delectables. Others explained that the name of the kue takes after a local bakery located at an intersection of Jalan Ambon and Jalan Sei Kera, located about two miles away from Jalan Mojopahit, where the first Bika Ambon was supposed to have been made, sold and popularised. We are not food historians so we ain’t gonna dwell too much over its beginnings, since it doesn’t add much to its flavours anyway, but what we do know is that despite its origins in Indonesia, its popularity has since overwhelmed its borders and traveled all over the world. It is known in Malaysia as Bingka Ambon or Kueh Ambon while some folks in the Peranakan community resonate to the name “Kueh Bengkah Sarang”. Whichever way it is being called, Binka Ambon by any other name would taste as good, just as a rose would smell as sweet. (more…)
A short post to document an experiment as I was trying out a recipe for the Peranakan version of “apom balek“. Unlike the crispy and thin “apam balik” we typically see at the Malay food stalls in pasar malams, or the thick Chinese version called “min chiang kueh” we eat for breakfast, this version favoured by the Peranakans in Malacca and Singapore are much smaller and more dainty. Despite using the same mould, I don’t make apom balek as often as I do for apom berkuah, simply because I very much prefer the latter, especially with the irresistible kuah pengat pisang to go along. Nonetheless, I feel I do need to practice making this kueh which is important in many aspects of the Peranakan culture. So on goes with the experiment!
Apom Berkuah is one of my favorite kuehs and I try to make it whenever time avails. Despite being a Peranakan signature “cuchi mulot“, I believe that it has its roots in Indonesian cuisine where it is known by another name Kue Serabi, and variations likening surabi or srabi. Even amongst Peranakan communities in Singapore, Malacca and Penang, the pronunciation also differ slightly from Apom Berkuah, to Apom Bokwa and Apom Bengkua. To the Malays from Kedah, Malacca and Sabah, it is called “Kuih Serabai“，with a slightly phonological shift in the terminal syllable, where it transits to become a diphthong in place of the short monophthongal vowel, a linguistic nuance we commonly observe across many Bahasa Melayu to Baba Patois lexicographical pairs. The word “Apom” which was derived from “appam“, a south Indian pancake popular in Kerala and Tamilnadu, is sometimes spelt as “apong” instead. Despite the numerous names, one thing remains the same for this kueh, and that is how delicious they are! So let’s see how we make them!