Peranakan culture is often described as a colourful culture. From the juxtaposition of vibrant hues and motifs that adorn the ravishingly beautiful kebayas and kasot manek, to the amalgamation of flavours and aromas from various ethnicities present in the plenitude of dishes both savory and sweet which defines what we know of today as Peranakan cuisine, the Baba-Nyonya heritage has often astound and impress upon many as one which is lavishly extravagant and vivaciously decorated. And speaking of being decorated, one cannot help but be in awe of the exemplary levels of intricacy and craftsmanship found in Peranakan jewellery, especially amongst old antique pieces. From the sanggols (hair pins) to the gelang kakis (anklets), Peranakan ladies in the past, be it the young nyonyas to more matured bibiks were often found “embellished” from head to toe quite literally. Yet so little of it has been documented in printed literature. As such, Nyonya Lilian Tong’s “Straits Chinese Gold Jewellery” is timely, in quenching a thirst long endured since the last publication written on this important aspect of Peranakan material culture. And for those who are unfamiliar with the genre of Straits Chinese jewellery be it in style or form , this book must surely be an eye-opener as well!